（推荐）玩笑的深度及其限度——论刘震云：《故乡面和花朵》

  内容提要
         
    
         
    
         
     “玩笑”是人们或已遭遇或尚未遭遇而遭遇之后又或已察觉或尚未察觉的在世方式与生存情态，作为一种古也有之的文化符号，“玩笑”正在不动声色地广泛渗入到当代人类生活的诸多细节中来。但在存在论层面上，“玩笑”并非终极性事物，因此也就不构成对人类生活的最后规划。说到底，“玩笑”的在场乃得益于人们的情感认同和相应作为，它自有其深度及限度。
         
     本文试图以“玩笑”来阐释刘震云的长篇小说《故乡面和花朵》，同时也试图以对《故乡面和花朵》的阐释来对“玩笑”作一次个人性的摆置。
         
     仅此而已。
         
    
         
    
         
     关键词： 玩笑 无意义 无意义之无意义 人们
         
    
         
    
         
    
         
    
         
     ABSTRACT
         
    
         
    
         
     As a long-existing cultural code, The Joke—— a mode of being and living style which men experienced or not ,which men noticed or not when they have already experienced—— is extensively penetrating so many details of the modern human life without being fully observed by the public.Nevertheless The Joke cannot be taken as a final plan for human life in the ontological level for it is not something eternal; it’s presence benefits a lot from men’s emotional identification and the measures they take accordingly and thus has got the deepness and limits of it’s own.
         
     The paper attempts to provide a probe into Liu Zhen-Yun’s novel Homeland Flour and Flower through the interpretation of The Joke while in the same time trying to arrange and settle it in my particular way during the course.
         
     And that is all.
         
    
         
    
         
     Keywords: The Joke, Meaninglessness, The Nullification of Meaninglessness, Men